We, the audience, had come from all across the United States to hear this choir sing, to see Dr. James Abbington lead, to absorb gospel standards and other pieces of black sacred music, to have our souls refreshed. Before us, high up in the choir area of the church sanctuary, stood a large, combined choir composed of folks from several local churches and from churches as far away as Fort Worth and Dallas; well-dressed men and women; dark suits, white shirts and ties, colorful scarves, long black dresses.
For the second night in a row, Dr. Abbington asked us, the audience, to become part of the show.
For those of us who had attended a far less formal gathering the night before, the announcement was not all that surprising. The previous night, after a full day of speakers and panels, leading scholars presenting and discussing on the state of black sacred music, those same scholars took to the stage. Accomplished musicians, all, they were expected to provide us with an evening of gospel greats.
And we were not disappointed.
As our performers for the evening arranged themselves around dual pianos, Dr. Abbington changed the dynamic. We found ourselves called on to sing.
Us. The audience.
I marveled at this. He seemed so certain we would just do as he said. What made him think we, the audience, would agree to this? Weren't WE supposed to be on the receiving end of all this?
But we did what he told us to do. We belted out "Oh Happy Day," "Marching to Zion," and "Every Praise (is to Our God)." Song after song, we sang. But that was not the end of it. Next, Dr. Abbington started calling people to come to the front to take the solo parts and the leads. In short order, there were more people standing between the lip of the stage and the front row than in the rest of the auditorium.
Now here we were, 24 hours later, and he was doing it again.
I was starting to think this was just a thing he liked to do, the way some rock stars like to tilt the microphone toward the audience so they can chime in on some parts. Maybe this was just his way.
Then he said something that put it all in perspective: "According to Kierkegaard, in church, God is the only audience; we are all participants in the worship."
While I think I have long had a similar understanding of worship, I've never heard it said quite that way: God is the only audience.
He is certainly the only audience that matters.
Moses forgot this. Angered at the bickering Israelites, he struck the rock with his staff to get the water they needed. In doing this, he disobeyed God's instruction to get that the water by speaking to the rock. And he paid the price. Afterwords, GOD said to Moses and Aaron, “Because you didn’t trust me, didn’t treat me with holy reverence in front of the People of Israel, you two aren’t going to lead this company into the land that I am giving them.” (Numbers 20:12 MSG)
We are not, in fact, the audience. No matter where we sit or stand in the house of meeting, when we act as though we or someone else is the audience, we forget a basic truth about worship.
God is the only audience.
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Selected from a reflection on "Marching to Zion, the Pruit Symposium on Black Sacred Music" [Baylor University, October 2014]
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Something to keep in mind as we start the Advent season.
READINGS FOR THE COMING WEEK
http://lectionary.library.vanderbilt.edu
First Sunday of Advent (November 30, 2014)
Isaiah 64:1-9
Psalm 80:1-7, 17-19
1 Corinthians 1:3-9
Mark 13:24-37
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